NEWS: August Issue Out Now!

August Issue!!

Well as we close in on the autumn The Kaje is back for August with another edition packed. This month we have the gorgeous Ella Montclare on the cover. Read on to find out who you will find in our pages this month…

Read it here!

Email us at thekaje@thekaje.com to ensure you get updates on our future issues. You can also follow us on Twitter and Facebook.

The August issue contains:

Features:-

Ella Montclare “The words are no longer restricted to my own experiences”
Patch William “We were mistaken yesterday for Patrick Williams”
Lotte Mullan “You have to find solace in your own strengths”
Elisabeth Molin “Its all about looking at possibilities”
Stuart Favill “Profound and complete realism”
Keith Jack “I am now getting the chance to play the part I wanted to play in the first place”
Magic Polar Bears “There just isn’t enough money in football”
Tim Thornton “I wanted to try and bring out the ridiculousness of an unsigned band’s situation”
Hayden Cohen “The fact it’s free means that people either want to see my show or not”
The Unconventionals “Some people will always knock us for entering the X Factor”
Bruce LaBruce “I really think I am undead”
Candice Hirson “Art is the expression of the self”


Regulars:
WIN!!!!: Signed Lotte Mullan CDs, Signed Tim Thornton books, Signed Magic Polar Bears albums, Fyfe Dangerfield CDs, signed Mr Fogg CDs, and The Unconventionals CDs up for grab as well.

Forgotten Gems:-
Album: Ludovico Einaudi “I Giorni”
Book: Georgette Heyer “Arabella”
Film: Dark City
Designer of the Month: Loula Creates
Steal My Style: Alex
The Way I Saw It: Vancouver

Reviews:-
Albums: The Saurdays “Headlines!”, The Lost Cavalry “Waves Freeze to Rolling Hills”, The Unconventionals “Flower to the People”, Lotte Mullan “Plain Jane”, Young & The Lost Club Compilation
Singles of The Month: Charlene Soraia “When We Were Five” and Jukebox Collective “Icon Parade”
Live Music: The Bombay Bicycle Club, Seth Lakeman, CBSO Friday Night Classics: Rodgers & Hammerstein
Theatre: The Butler, TeakShow’s Inner Nutter, Portraits of An Actress, Mum’s The Word
DVD: Otto Or Up With The Dead People, Shutter Island, The Blind Side, Psycho
Books: Gavin Esler “Power Play”, Seth “George Sprott”, Tom McCarthy “C”, Sandra Newman “Changeling: A Memoir of Parents Lost & Found”

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VIDEO: Mr Fogg “Stung”

Reading’s Mr Fogg always delivers. Always pushing the artistic boundaries of the music we call “pop”, his latest video for “Stung” is a dark, epic affair. When Mr Fogg stings he proves it is a memorable affair…

The Kaje talks “Shrug” to Mr Fogg

Having first come to public attention in 2005 with the self-released single “Giving In”, Reading’s Mr Fogg could easily be described as an electronic DIY guru. In a music industry that seems divided by those that align with the big labels and those that don’t, Mr Fogg certainly ticks the latter box. Having spent the past few years fine tuning his debut album “Moving Parts”, Mr Fogg finally decided it was ready for public consumption in April. An intriguing Athlete meets Calvin Harris melange ensures Mr Fogg stands out from his contemporaries. As Mr Fogg prepares for the release of the single “Stung”, The Kaje took a moment to find out more…

“Stung” is the third single from “Moving Parts” – can you tell us a little bit more about the track?

“Stung” is one of a few songs on the album that has gone through several incarnations. I wrote it a few years ago now and have re-recorded it over and over again to try and get it right.  For the album, I ended up starting again almost from scratch so it has changed quite dramatically over time.

Lyrically it was inspired by a news story that broke around the time I wrote it, but I try and get to the core of the emotions at the centre of the story rather than concentrate on specific facts or details. So hopefully it means something to you even if I you don’t know what I’m singing about.

How do you decide which tracks are single worthy?

It’s difficult. I’m very much an album person, and I put the record together to be listened to all the way through. But I think the singles tend to choose themselves from how people react to individual songs on the album.

How representative of “Moving Parts” is “Stung”?

“Stung” is definitely at the more upbeat end of the spectrum, but it has various elements that are kind of “trademark” Mr Fogg sounds. Like the way the bass and beats work – I quite often use more than more than bassline at once and “Stung” is a good example of that.

Mr Fogg is an unusual name. Is it a tribute to Phileas?

It’s a nickname that came about naturally because my first name is Phil, but I chose it because I wanted something that separated me from the music and because early on it suited me to be anonymous.  I only told one or two people that I was Mr Fogg until the songs started getting played on the radio and people worked it out for themselves.

Just a quick look at your MySpace shows everyone that as well as music, your image is very art driven. How important is the combination to your project?

One of the advantages of using a pseudonym is that it allows me to create a whole world around Mr Fogg.  The album was the starting point, and then everything else takes its lead from the music.  But I think if the visual side is done right it can really enhance the impact of the songs. So, for example, each song from the album has an abstract film to go with it, which I project during the live show.

You are a multi-instrumentalist – how many of the instruments did you play on “Moving Parts”?

I played everything on the album except the brass and strings.  So I played various keyboards, drums, bass, guitar and did all the programming of the electronics. Because of the way I work, the writing and recording processes merge together and I have learned to play all the various instruments through necessity – so if I am working on a track and I have an idea that needs the sound of a real drum kit I don’t have to phone up a drummer just to hear what it sounds like. The fact that I am a solo artist also means that I don’t offend anybody if I delete that part later on.

Is there an instrument you haven’t mastered, that you would really like to?

I’m not sure I have mastered any of the instruments I play yet, but I would love to be able to play the trombone. It’s the one instrument I use a lot where I have to get somebody else in to play it, and because I don’t play it myself it’s less certain whether my ideas are going to translate.

Who would you say have been your biggest influences?

My two biggest influences are Radiohead and Bjork. It’s certainly where I got my taste for experimenting with electronics, but I also think they both place the song itself at the centre of everything – it’s not experimentation for experimentation’s sake – which is what I try to do.

Is there anyone who you would really like to collaborate with?

I enjoy collaborating with people from other styles of music. For example, there is a string remix on the “Keep Your Teeth Sharp E.P” by the Icelandic composer Olafur Arnalds, and I have also recorded a version of “Stung” with a chamber choir. I think you learn more by working with people from a different world to your own. 

You launched earlier this year with your own pop-up shops – what inspired the idea?

I wanted to play a show in London that could reflect all the elements of Mr Fogg – the musical side, the video side, the artwork side – but I couldn’t find a venue that interested me.  In the end, I happened to be walking past an empty shop in Soho and had the idea of renting it for a week.

Because I essentially created my own venue, I was able to build the whole experience around Mr Fogg – from the way the shop was decorated to the signs and fittings to the music.

It was also great to be able to strip away any hype or gatekeepers and be able to play to people who had literally walked in off the street. People were coming in with no preconceptions and so were more open to whatever was about to take place.

Do you have any other novel methods to help establish yourself?

I have been working on a way of taking the Fogg Shop on the road. Creating some kind of mobile venue that I can decorate and take over completely in the same way as the shop, but that also allows me to play anywhere at any time.

What can we expect from Mr Fogg over the coming year?

I’m about to go on tour, doing 7 or 8 shows around the UK in August and then I’m doing a couple more festivals and a live session at Maida Vale for Radio 1.

Later in the year, I’m starting a dual residency in London and Oxford that allows me to explore the different ways of doing a Mr Fogg performance.  So one month might be acoustic, one might be solo electronics, one might be with my band.

Hopefully, the mobile Fogg Shop will also be up and running this year.

ALBUM REVIEW: Mr Fogg “Moving Parts”

Label: Kicking Ink
Release Date: 19.04.2010

Mr Fogg, a name derived as a reference to Phileas Fogg (as Phileas sounds like his own Christian name Phil), is from Reading in Berkshire and has spent numerous years fine tuning his debut album “Moving Parts”. In a 2007 interview with the BBC he said he had some 40 songs for the album. What is now delivered to us is best described as electro-pop.  Mr Fogg having created a musical blend of Athlete and Calvin Harris.

The album is not short of talented input.  It was recorded in Iceland in 2009 with Björk-collaborator Valgeir Sigurðsson (“My Bones Creek” delivers the same slow opening synonymous with Björk’s “It’s Oh So Quiet”). Meanwhile, the video to lead single ‘Moving Parts’ was filmed in Los Angeles with legendary director Tony Kaye (“American History X”) in control.

Each track is relaxed pop over cool electronic beats. The bells and soft piano of “Moving Parts” instantly soothes and relaxes the listener. However, “Moving Parts” is not something I would gleam enjoyment from listening to in its entirety in one sitting. It is much better suited to being used as part of a playlist.

Rating: 3/5
Reviewer: Rachael Preece

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